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You Are Not Alone

Raising Awareness, Changing and Saving Lives

As a documentary, “You Are Not Alone” is a little more than a run-of-the-mill film. While containing the basic elements of its genre – interviews with subjects telling their stories and mental health professionals placing these experiences and anecdotes in perspective, and at the same time presenting relevant statistics to support their respective positions; it nudges the envelope of understanding and acceptance a little further along. Using his creativity, skill and expertise, Stanley Bennett Clay listened to the interviews, wrote a script and directed re-enactments of the stories he heard. He moved the film from being a staid production of “talking heads” into, as he says, “some Hollywood thrown in”. While the film maintains the hard hitting edge of a documentary, it gently blurs the line between what is and what could be, moving into the realm of a docu-drama, and illuminating through examples, many of the underlying issues Black gay men are dealing with, but never talked about. This film breaks a taboo in the Black community; it exposes the raw truths behind the silent pain many Black gay men experience and live with.

Interviews for this documentary emerged as the visual component of a book examining depression in Black gay men. In research for the book and from the interviews of more than 40 Black gay men from the United States, the Caribbean and Africa, specific themes appeared as common threads separated only by geography. Issues of denial of sexual identity and sexual orientation, racism, discrimination and stigma; sexual abuse and trauma; an HIV positive diagnosis; the propagation and promotion of homophobia from religious leaders and their congregants; and the perils of loneliness, a sense of isolation and abandonment felt by those Black gay men growing older – rose to the top as significant issues contributing to the descent into depression. Notwithstanding, implied in the personal stories and enhanced from the interviews with the mental health professionals is the acknowledged biological component to depression.

The documentary traces the life of Cedric, a young man whose early expressions of his sexuality were stomped on by his father, who beat his son mercilessly in an effort to eradicate any perceived traces of “the faggot” and to force him to conform to his expectations and demands. In a world that has become homophobically rabid, Cedric’s father’s violence lends itself to a segment of society that condemns and ostracizes anyone who demonstrates a departure from what is considered a norm. This father typifies many parents whose reactions to their sons are borne out either through fear of issues with his own sexuality, and or what and how the rest of society would view him, his son and his family - “those with the faggot son”. The film follows Cedric, who as a young adult is struggling to understand and accept himself, and who is forced to live two lives: a hardworking 9 to 5 employee and an alcoholic drug abuser, both collide and he doesn’t feel he has any reason to live.

From an interview, there is the re-enactment Lawrence's story. As a young man, when he was 11 years old, he was sexually abused by his father. In many families and communities, sexual abuse of children by parents, older siblings, older relatives and or familiar older adults frequently occur. Often, the victim - male or female, is forced to suffer in silence and live in pain. In desperation to understand what happened to him and reaching out for support, he experienced the raw, naked rejection and denial from his mother. He always thought she was his support, but she blamed him instead for encouraging the attentions of his father. It shows how he struggled to cope, self-medicating with drugs to ease the pain of the violation of his personhood, his masculinity, his manhood. When he could take it no more, he chooses not to live. There is also Tony's story, another young man who speaks of never feeling he belonged and eventually, after giving up on trying to hold on and make himself feel a part of humanity, he decided to take himself out.

The documentary turns from a dark, “depressing”-, “woe is me”-, pity-party type of film into one that reaffirms the power of self. It challenges mothers, who with their strength and the powerful influence to mold and nurture their sons, especially those who they recognize may be gay, and who are seemingly more fragile and in need of care; to take heed, pay attention to their sons. Tree Alexander, an interviewee, who became HIV positive at a young age, told his parents and instead of being rejected, experienced the love, acceptance and support from his immediate and extended family, “I knew then that my family had my back."

The resounding message in the documentary is that a Black gay man who feels as though he has no place in the world, that he has value and purpose, that all he needs to do is reject the denials of who he is, accept himself and he could realize and achieve his potential in life. It celebrates the lives of Black gay men and shows that there is life after depression; that, as the late Taylor Siluwe said, “It doesn’t have to rob you of your joy”.

Rev. Kevin Taylor says, “I don’t do Black, I be Black; I don’t do male, I be male; I don’t do gay, I be gay.”

 


Project DBGM is: a book, currently being written, in which Black gay men share stories of their struggle and suffering with depression; this documentary; and community discussion forums which serve to raise awareness of depression in Black gay men who are empowered to rebuild their self-esteem, boost their confidence and develop trust, to reach out for help, so as to heal, realize and achieve their potential in life.


A Black gay man dealing with depression should know that it is treatable and he need not suffer in silence; he is not alone.


"If, by what I'm doing, a Black gay man could be stopped from killing himself, then my job is done; his healing begins."

 

Copyright © 2012-13 Antoine B. Craigwell. All rights reserved.